Through Suprematism Malevich places the supremacy of pure artistic sensibility
in the center of his research. The exteriority of the geometric forms becomes a metaphor and instrument for a reality that does not end at a superficial observation, but penetrates space and the point where it is located, driving and stimulating the observer to penetrate the static reality of things by observing the beauty of their forms, contemplating the interplay of interweaving among them. The object, the form, is dismembered from the mere acceptance of self, becoming the bastion of a personal all-round vision of a reality which is seen and lived.

Visiting the winery, listening to the dreams, projects and foundations therein, means becoming aware of the wealth of one’s own land, often forgotten, that re-emerge, with new life, becoming a focus
of interest and fascination.
It is to discover the Sanctuary dedicated to wine barrels, immersed in lights that penetrate the tufaceous arches, and a music that reconciles one with a peace found therein. The many kinds of wood that harbor gold and among myricae that recount a tale, the century-old one of our world of wine.
Wine expresses not only the vines of its ancestors but the traits of the hills where they are bred, the nature of the soil, the temperament of the seasons, the art of the wine growers, the restful cellars where it matures.

To know Mirvita means to feel with the senses and with the touch the roots of the soil. Strictly speaking. Three large finestre frame six meters of open ground in which the clay, sandy and limestone stratificazioni follow each other and alternate creating
a natural picture. What we can not see but that makes us righteous and fieri on the road of our lives.